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Our Man In Munich: 22 Groovy TV & Movie Themes From 1969-1984

Sam Spence’s name is equivalent to the sound of football on TV. His work for NFL Films and their productions for the National Football League since 1966 meant a substantial output of music, which can also be heard in recent television shows such as ‘The Simpsons’ , ‘King of Queens’, and ‘Sponge Bob’. Based in his adopted home town Munich he also wrote music for German TV-series and movies.
This CD features both, the most groovy highlights out of about 700 titles he wrote for NFL Films, as well as the best samples of his work for German film productions and labels and even a commercial. Most of the titles for German TV series are previously unreleased and even one track he wrote for NFL Films appears here for the very first time (‘Tensar’). The range of Spence’s work reaches from symphonic orchestral music over big band swing to mainstream jazz and even synthesizer sounds. Most of the tracks on this CD are instrumentals, just the two James Bond-ish versions of ‘Queen of Diamonds’ come with vocals. In its chronology this CD perfectly reflects the contemporary music styles of the era, from swinging jazz over funky blaxploitation to what ‘Kraftwerk’ stands for.
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Southland Tales

Director Richard Kelly follows up cult favorite DONNIE DARKO with this epic about a futuristic version of Los Angeles that harnesses the power of the ocean to produce energy. The eclectic cast includes The Rock, Sarah Michelle Gellar, Justin Timberlake, Mandy Moore, and Janeane Garofalo. The film includes music score by Moby, as well as selections from Jane s Addiction, Waylon Jennings, Black Rebel Motorcycle Club, Big Head Todd, Pixies, Elbow and the song Teen Horniness is Not a Crime sung by Sarah Michelle Gellar.
El Paso and Abilene, Texas have fallen victim to twin nuclear attacks on July 4, 2005 a catastrophe of unimaginable proportions which sent America into war. The Patriot Act has been upgraded to a new agency known as USIdent, which keeps constant tabs on citizens even to the extent of censoring the internet and using fingerprints in order to access computers and bank accounts. In order to be able to respond to a newfound fuel scarcity, the German company Treer designs a generator of inexhaustible energy which is propelled by ocean currents.
In Los Angeles, a city on the brink of chaos, we follow the crisscrossed destinies of Boxer Santaros (Dwayne Johnson), an action film actor stricken with amnesia; Krysta Now (Sarah Michelle Gellar), an ex-porn star; and twin brothers Roland and Ronald Taverner (both played by Seann William Scott), whose destinies on one evening become intertwined with that of all mankind.
*previously unreleased
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Rio Conchos: Original Motion Picture Score

Two scores on one CD. Digital re-recording by composer has classic western score for RIO CONCHOS (43:43) plus THE ARTIST WHO DID NOT WANT TO PAINT (12:37), a magnificent four-part prologue for 1965 20th Century Fox movie THE AGONY AND THE ECSTASY. Jerry Goldsmith conducts London Symphony Orchestra.
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Rio Bravo: Western and other Movie & TV Themes

An impeccable collection of western movie and TV themes from their golden era of the 50′s and 60′s.
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Mystic River [Original Motion Picture Soundtrack]

He’s been an international movie star icon, successful producer, acclaimed director, and fervent jazz revivalist. But after years of cinemusic flirtations, Clint Eastwood finally adds “film scorer” to his already burgeoning resume. Those familiar with his jazz affections and a laconic keyboard approach that seems to echo his very acting style won’t be surprised by the elegantly moody “Main Title” he’s composed for this character-driven drama. But the autumnal, minimalist, and post-modern influenced orchestral cues (performed with sympathetic grace by the Boston Symphony Orchestra and Tanglewood Festival Chorus) Eastwood offers elsewhere here are yet another forceful example of an artist who’s typically used his mainstream successes to leverage new creative challenges for himself. Kyle Eastwood (the film legend’s son) offers up a jazzy coda to his father’s bittersweet orchestral portrait with the playful, R&B bump of “Cosmo” and soulful “Black Emerald Blues.” –Jerry McCulley
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My Rifle, My Pony & Me: Movie & TV Soundtracks

1-CD with 24-page booklet. Subtitled Movie And TV Soundtracks, this 26-song collection is the ultimate overview of songs that were memorable elements of the post-War Westerns. Opening with the voice of John Wayne introducing Dean Martin and Ricky Nelson, who sing this collection’s title track from the 1959 film, Rio Bravo, the selections span 1948 (Roy Rogers singing Don’t Fence Me In) to 1965 (James Stewart’s The Legend Of Shenandoah). Along with such ‘hits’ of the genre as Johnny Horton’s North To Alaska, Frankie Laine’s Rawhide, and Johnny Cash’s The Rebel Johnny Yuma, there are such unexpected singing cowboys as Kirk Douglas crooning And The Moon Grew Brighter from the 1954 film, Man Without A Star. The 24-page booklet, brimming with period art promoting the films and their songs, is the perfect visual complement to the music. Popcorn not included!
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Way Out West
Rio

From the makers of the hit Ice Age series comes Rio, a comedy adventure about taking a walk on the wild side. Blu (Jesse Eisenberg. The Social Network) is a domesticated Macaw who never learned to fly, living a comfortable life with his owner and best friend Linda (Leslie Mann, Knocked Up) in the small town of Moose Lake, Minnesota. Blu and Linda think he’s the last of his kind, but when they learn about another Macaw who lives in Rio de Janeiro, they head to the faraway and exotic land to find Jewel (Anne Hathaway), Blu’s female counterpart. Not long after they arrive, Blu and Jewel are kidnapped by a group of bungling animal smugglers. With the help of street smart Jewel, and a group of wise-cracking and smooth-talking city birds, Blu escapes. Now, with his new friends by his side, Blu will have to find the courage to learn to fly, thwart the kidnappers who are hot on their trail, and return to Linda, the best friend a bird ever had.
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